Issue

  • Publication Details

    • Journal

      • Graham’s Magazine
    • Issue

      • May 1842 (Vol. 20 No. 5)
    • Editor(s)

      • George Rex Graham, Edgar Allan Poe, (and J.R. Chandler, R.T. Conrad, Emma Embury, C.J. Peterson, Ann Stephens, and J.C. Taylor)
    • Approximate publication date

      • before April 30, 1842
  • Table of Contents (sequential)

    • Engraving of “The Bride” by John Hayter (n.p.)
    • Engraving of “Centre Harbour” by W.H. Bartlett and A.L. Dick (n.p.)
    • Engraving of “Fashions, colored, with a Lace pattern border” by F. Quarré (n.p.)
    • “The Bride” by J.H. Dana (pp. 253-256)
    • “Centre Harbor, N.H.” by [unattributed] (p. 256)
    • “The Mask of the Red Death: A Fantasy” by Edgar A. Poe (pp. 257-259)
    • “Spring’s Advent” by Park Benjamin (p. 259)
    • “Procrastination” by Mrs. M.H. Parsons (pp. 260-264)
    • “Perditi” by W[illia]m. Wallace (pp. 265-269)
    • “The Chevalier Gluck” by W.W. Story (pp. 270-274)
    • “Venus and the Modern Belle” by Frances S. Osgood (p. 274)
    • “My Bark is out upon the Sea” by George P. Morris (p. 274)
    • “The Late Sir David Wilkie” by Louis Fitzgerald Tasistro (pp. 275-276)
    • “To Amie—Unknown” by L.J. Cist (p. 276)
    • “Edith Pemberton” by Mrs. Emma C. Embury (pp. 277-284)
    • “To an Antique Vase” by N.C. Brooks (p. 284)
    • “The Old World” by George Lunt (p. 284)
    • “Thoughts on Music” by Henry Cood Watson (pp. 285-286)
    • “Euroclydon” by Charles Lanman (p. 287)
    • “Mystery” by [unattributed] (p. 287)
    • “Harry Cavendish: The Expedition” by “the Author of ‘Cruizing in the Last War,’ ‘The Reefer of ‘76,’ etc. etc” [Charles Jacobs Peterson] (pp. 288-289)
    • “Recollections of West Point: Part II” by Miss [Eliza] Leslie (pp. 290-295)
    • “L’Envoy to E—” by G. Hill (p. 295)
    • “The Orphan Ballad Singers” composed by Henry Russell (pp. 296-297)
    • Review of Nathaniel Hawthorne’sTwice-Told Tales by Edgar A. Poe (pp. 298-300)
    • Review of C[harles]. F[enno]. Hoffman’sThe Vigil of Faith, and Other Poems by [Edgar A. Poe] (p. 300)
    • Review of William Roscoe’sThe Life of Lorenzo de’ Medici, called the Magnificent by [Edgar A. Poe] (p. 300)
    • Review of Rufus W. Griswold’sThe Poets and Poetry of America by [Edgar A. Poe] (p. 300)
    • Review of [William Gilmore Simms’s]Beauchampe, or the Kentucky Tragedy. by [Edgar A. Poe] p. 300)
  • Table of Contents (genre)

    • Non-fictional prose

      • Articles

        • “Centre Harbor, N.H.” by [unattributed] (p. 256)
        • “The Late Sir David Wilkie” by Louis Fitzgerald Tasistro (pp. 275-276)
        • “Thoughts on Music” by Henry Cood Watson (pp. 285-286)
        • “Euroclydon” by Charles Lanman (p. 287)
        • “Recollections of West Point: Part II” by Miss Leslie (pp. 290-295)
      • Reviews

        • Review of Nathaniel Hawthorne’sTwice-Told Tales by Edgar A. Poe (pp. 298-300)
        • Review of C[harles]. F[enno]. Hoffman’sThe Vigil of Faith, and Other Poems by [Edgar A. Poe] (p. 300)
        • Review of William Roscoe’sThe Life of Lorenzo de’ Medici, called the Magnificent by [Edgar A. Poe] (p. 300)
        • Review of Rufus W. Griswold’sThe Poets and Poetry of America by [Edgar A. Poe] (p. 300)
        • Review of [William Gilmore Simms’s]Beauchampe, or the Kentucky Tragedy by [Edgar A. Poe] (p. 300)
    • Prose fiction

      • Tales

        • “The Bride” by J.H. Dana (pp. 253-256)
        • “The Mask of the Red Death: A Fantasy” by Edgar A. Poe (pp. 257-259)
        • “Procrastination” by Mrs. M.H. Parsons (pp. 260-264)
        • “The Chevalier Gluck” by W.W. Story (pp. 270-274)
        • “Edith Pemberton” by Mrs. Emma C. Embury (pp. 277-284)
      • Serialized novels

        • “Harry Cavendish: The Expedition” by “the Author of ‘Cruizing in the Last War,’ ‘The Reefer of ‘76,’ etc. etc” [Charles Jacobs Peterson] (pp. 288-289)
    • Poetry

      • “Spring’s Advent” by Park Benjamin (p. 259)
      • “Perditi” by W[illia]m. Wallace (pp. 265-269)
      • “Venus and the Modern Belle” by Frances S. Osgood (p. 274)
      • “My Bark is out upon the Sea” by George P. Morris (p. 274)
      • “To Amie—Unknown” by L.J. Cist (p. 276)
      • “To an Antique Vase” by N.C. Brooks (p. 284)
      • “The Old World” by George Lunt (p. 284)
      • “Mystery” by [unattributed] (p. 287)
      • “L’Envoy to E—” by G. Hill (p. 295)
    • Illustrations

      • “The Bride” by John Hayter (n.p.)
      • “Centre Harbour” by W.H. Bartlett and A.L. Dick (n.p.)
      • “Fashions, colored, with a Lace pattern border” by F. Quarré (n.p.)
    • Song

      • “The Orphan Ballad Singers” composed by Henry Russell (pp. 296-297)
  • Cultural Threads

    • Classicism

      • “Venus and the Modern Belle” by Frances S. Osgood (p. 274)
      • “To an Antique Vase” by N.C. Brooks (p. 284)
      • “The Old World” by George Lunt (p. 284)
    • Feminine beauty

      • “Fashions, colored, with a Lace pattern border” by F. Quarré (n.p.)
      • “Venus and the Modern Belle” by Frances S. Osgood (p. 274)
    • Italy--Description and travel

      • “The Mask of the Red Death: A Fantasy” by Edgar A. Poe (pp. 257-259)
      • “Perditi” by W[illia]m. Wallace (pp. 265-269)
      • Review of William Roscoe’sThe Life of Lorenzo de’ Medici, called the Magnificent by [Edgar A. Poe] (p. 300)
    • Marriage--United States

      • “The Bride” by John Hayter (n.p.)
      • “The Bride” by J.H. Dana (pp. 253-256)
    • Music--Social aspects

      • “The Chevalier Gluck” by W.W. Story (pp. 270-274)
      • “Thoughts on Music” by Henry Cood Watson (pp. 285-286)
      • “The Orphan Ballad Singers” composed by Henry Russell (pp. 296-297)
  • Commentary

    • In this issue, two important Poe works appear: “The Mask of the Red Death” and his second review of Nathaniel Hawthorne’sTwice-Told Tales (he had published a brief notice of that book in the April issue). Here, Poe famously praises the tale’s generic capacity for a producing a “single effect” by subordinating character and plot to a “pre-established design.” He demonstrates this unity of effect in his tale about masquerade-goers in a “castellated abbey” (possibly in Italy) who fall victim to a deadly plague. Poe perhaps derived the idea from the cholera epidemic of 1832; N. P. Willis had published in theNew-York Mirror (June 2, 1832) an account of an ill-fated Parisian ball. Allusions to Italy include Poe’s short review of William Roscoe’sLife of Lorenzo de’ Medici and William Wallace’s poem “Perditi.”

      Likewise, Frances S. Osgood’s poem “Venus and the Modern Belle” tells the story of the Roman goddess who instructs a young woman not to rely on jewelry to make herself beautiful but on light-heartedness and good-humor. Not only does Osgood’s poem connect with the classicism in other pieces, such as N.C. Brooks’s poem “To an Antique Vase,” but it also challenges the tacit message of this issue’s fashion-plate as well as the magazine’s general emphasis on women’s fashion.

      This issue ofGraham’s was Poe’s last as editor. He resigned from the staff around April 1st, to be replaced by Rufus W. Griswold, his later nemesis.

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